You've doubtless seen this one: Robert Kolker's "Who is the Bad Art Friend?" in the NYTimes Magazine.
Here's the short version:
1. A lightly-published writer (Dawn Dorland) donates a kidney, seeks support (praise?) for doing so by setting up a Facebook private group and inviting writers and others to it, including the more-famous Sonya Larson. She posts an open hypothetical letter to the kidney recipient explaining her reasons.
2. Larson lurks on the group but doesn't post. Dorland looks at her stats, sees this, and reaches out to Larson by email (who does that?).
3. Larson writes a story, "The Kindest," in which a deluded white savior type donates a kidney to Chuntao, who is--unimpressed?
In the earliest version of the story, Larson, in order to mock the white savior more effectively, uses part of Dorland's letter word for word, telling her group of writer friends, the Chunky Monkeys, that it was too good not to repeat. Later, she changes it slightly.
Dorland pursues Larson: those are my words. Larson feels pursued but doubles down: oh, you own all the words and kidney situations, do you? Tells her friends, who along with Larson have been mocking the needy Dorland all along. Lies to Dorland. Lawsuits ensue.
The reactions, from Celeste Ng and others on Twitter and in the NY Times comments, have been fascinating.
1. Writers: Dorland was never our friend; we just liked to mock her. Anyway, she was annoying, and persisting in claiming her words is borderline harassment. She was not part of Our Group, the Chunky Monkey in-crowd. We are Creatives and taking those words and Dorland's life situation was creative license--deal with it. And anyway, Dorland shouldn't write about her kidney donation, because she's begging for praise and it destroys the purity of her gift. Only we should write about it.
Honestly, this is the take from most of the writers I follow on Twitter, all of whom say "it's clear who the bad guy is here--Dorland, duh."
The Atlantic has an essay by Elizabeth Bruenig saying "get a load of that awful Dawn Dorland" with no hint of the stolen words backstory, which gives me reason 1,000 why I'm glad I am no longer a subscriber after decades of paying money to The Atlantic.
2. People who aren't writers: "Wasn't that mean, though, to take her words and gang up on her? Why are you mocking her for being needy and for, excuse me, giving a kidney?"
My take, as a lowly English professor:
Leaving aside everything else: Isn't the appropriation of someone else's words without attribution what we call . . . plagiarism? And call out in student papers?
I get why Larson would attack and get her group to back her with a lot of excuses. I've seen it whenever I've confronted a student about plagiarism, even when I'm sitting there with a word-for-word comparison. They get defensive and angry.
It doesn't change the facts. I still report it to Academic Integrity or whatever the university unit about that is calling itself this year.
Would I ever say this, though, on Twitter? Absolutely not. I went through middle school, and believe me, I knew Mean Girls. I also know that the Mean Girl syndrome doesn't stop there.
Larson said that she wanted "The Kindest" to be a blue/gold dress story, where the woman with the white savior complex and the woman who got the kidney were both wrong and right, depending on your subject position.
But Kolker's reporting, it seems to me, is providing the real test.
What are your thoughts?
Buzzfeed: #teamSonya https://www.buzzfeed.com/daily/new-york-times-bad-art-friend-kidney-donation-dawn-dorland
Last update: Summer Brennan lays out the whole case, with screenshots, here: https://summerbrennan.substack.com/p/bad-discourse-friend-the-unraveling




